A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Adventures in Scale Generation Along a Wilsonian Path, Part 1
Burt, Warren. (Part 1) Volume 9, Number 3, p.1
——(Part 2) Volume 10, Number 1, p.4
An Abundance of Thirds
Doty, David B. Volume 4, Number 2, p.4
Algorithmic Tuning Via MIDI
Siegel, R. Jules. Volume 3, Number 4, p.6
Aliquot Scales
Sloper, Michael. Volume 4, Number 1, p.6
Anomalies in Chords Derived from Chains of Thirds
Waage, Harold. Volume 4, Number 3, p.1
Anomalous Pairs in "Paradigms Lost"
Doty, David B. Volume 5, Number 1, p.4
An Anticipation of the Partch Diamond in Augosto Navarro's Systema Natural Base del Natural-Aproximado (1927)
Chalmers, John H., Jr. Volume 8, Number 2, p. 9
An Assortment of Commas (and Other Irritants) (chart)
Doty, David B. Volume 2, Number 1, p.13
Ben Johnston's Sonnets of Desolation: Facts, Materials, Ideas, Context
Gibbens, John Jeffrey. Volume 12, Number 3, p. 16
Blessed Be Translators, for They Give Us Worlds
Harrison, Lou. Volume 7, Number 1, p. 6
Book Review: Bitter Music: Collected Journals, Essays, Introductions, and Librettos of Harry Partch. Ed. Thomas McGeary
Garland, Peter. Volume 8, Number 4, p. 16
Book Review: Divisions of the Tetrachord, by John H. Chalmers, Jr.
Canright, David. Volume 8, Number 3, p. 16
Book Review: The Grammar of South Indian (Karnatic) Music by C. Subrahmanya Ayyar
Smith, Tim. Volume 4, Number 2, p.2
Book Review: Lou Harrison, Composing a World by Leta E. Miller and Fredric A. Lieberman
Alrich, Alexis. Volume 10, Number 3, p. 2
Book Review: Mathematical Models of Musical Scales—A New Approach, by Mark Lindley and Ronald Turner-Smith
Chalmers, John H., Jr. Volume 9, Number 1, p. 2
Book Review: “Maximum Clarity” and Other Writings on Music, by Ben Johnston, edited by Bob Gilmore
Burt, Warren. Volume 12, Number 3, p. 29
Book Review: The Music of James Tenney
Erickson, Ron. Volume 1, Number 3, p.4
Book Review: The Music of Lou Harrison, by Heidi Von Gunden.
Wolf, Daniel J. Volume 9, Number 3, p. 2
Book Review: The Nature of Music, by Jon Catler.
Doty, David B. Volume 12, Number 1, p. 18
Book Review: Pitch, Pi, and Other Musical Paradoxes, by Charles Lucy
Doty, David B. Volume 5, Number 3, p.2
Book Review: The Science of Musical Sound
Rosenthal, Henry S. Volume 1, Number 2, p.4
Book Review: Sound and Light: La Monte Young and Marian Zazeela, Ed. William Duckworth and Richard Fleming
Burt, Warren. Volume 10, Number 2, p.2
Book Review: The Structure of Recognizable Diatonic Scales, by Easly Blackwood
Chalmers, John H., Jr. Volume 4, Number 3, p.4
Book Review: Tuning In, by Scott Wilkinson
Fischer, Andrew. Volume 4, Number 4, p.2
Book Reviews: Ancient Greek Music, by M.L. West, and Greek Musical Writings, Volume II, by Andrew Baker
Chalmers, John H., Jr. Volume 8, Number 3, p. 2
Bringing Back Barstow
Schneider, John. Volume 8, Number 4, p. 4
Canon for Flute (Score)
Polansky, Larry. Volume 6, Number 2, p.5
CD Review: Ben Johnston — String Quartets Nos. 2, 3, 4, and 9, performed by the Kepler Quartet
Carl, Robert. Volume 12, Number 3, p. 30
CD Review: Enclosure Two: Historic Speech-Music Recordings from the Harry Partch Archives
Ayers, Lydia. Volume 9, Number 4, p. 14
CD Review: Ellen Fullman—Body Music
Ayers, Lydia. Volume 9, Number 2, p.2
CD Review: Four from the East—Microtonal CDs from New York, New Jersey, and New Hampshire (music by Harry Partch, Dean Drummond, Jon Catler, Michael Harrison, and Larry Polansky)
Burt, Warren. Volume 11, Number 2, p.14
CD Review: John Schneider: Just Guitars. Bridge 9132.
Canright, David. Volume 11, Number 4, p. 21
CD Review: Just West Coast
Ayers, Lydia. Volume 9, Number 1, p.14
CD Review: Larry Polansky—Simple Harmonic Motion
Fonville, John. Volume 9, Number 1, p.16
CD Review: Lou Harrison: Complete Harpsichord Works, Music for Tack Piano and Fortepiano
Alrich, Alexis. Volume 11, Number 3, p. 26
CD Review: Lou Harrison, Music for Guitar and Percussion
Canright, David. Volume 7, Number 3, p.2
CD Review: Lou Harrison—The Louisville Orchestra. First Edition Music FECD-0014. Suite for Symphonic Strings, Strict Songs I–V for Eight Baritones and Orchestra. The Louisville Orchestra, Robert Whitney, conductor, with members of the Southern Baptist Theological Seminary Choir
Doty, David B. Volume 11, Number 4, p. 22
CD Review: NEWBAND: Microtonal Works #2
Sloper, Michael. Volume 9, Number 1, p.17
CD Review: Jim Horton—Simulated Winds and Cries, and Jacques Dudon—Lumieres Audibles #2
Scholz, Carter. Volume 9, Number 4, p.19
CD Review: Terry Riley—Imbas Forsani: Chanting the Light of Foresight
Alves, Bill. Volume 9, Number 2. p.14
CD Review: Mamoru Fujieda—The Night Chant; Patterns of Plants
Burt, Warren. Volume 10, Number 3, p. 17
CD Review: Harry Partch: 17 Lyrics of Li Po, Performed by Stephen Kalm and Ted Mook
Alves, Bill. Volume 9, Number 2. p.14
CD Review: David B. Doty—Uncommon Practice: Selected Compositions 1984–1995
Alves, Bill. Volume 10, Number 3, p. 16
The Chinese Connection: Harry Partch and the Li Po Settings
Ayers, Lydia. Volume 9, Number 2, p.1
Classical Techniques Revisited
Oldani, Norbert L. Volume 6, Number 2, p.11
Cloverleaf
Harrison, Lou. Volume 5, Number 2, p.1
A Compendium of Twelve-tone Scales in Five-limit Just Intonation
Chalmers, John H., Jr. Volume 7, Number 4, p.4
Composing in Scaleless Space
Frantz, Glen. Volume 4, Number 1, p.1
Confessions of a Lousy Carpenter
Polansky, Larry. Volume 1, Number 1, p.1
Correspondence (concerning W.D. Mohr's "Five")
Terpstra, Siemen, W.D. Mohr, and David B. Doty.
Volume 7, Number 2, p.2
Correspondence (More about Notation)
Daniel J. Wolf. Volume 9, Number 3, p. 15
Creating an Acoustic Ensemble
Massey, James G. Volume 4, Number 4, p.8
Dream Analysis
McCrosky, Sandy. Volume 8, Number 3, p. 12
Differential Coherence
Dudon Jacques. Volume 11, Number 2, p. 1
The DX7 II: A First Look
Doty, David B. Volume 3, Number 4, p.11
The E! Evaluation
Scholz, Carter. Volume 3, Number 4, p.2
Editorial
Doty, David B. Volume 1, Number 1, p. 2
Editor's Message — Ben Johnston at Eighty
Schneider, John. Volume 12, Number 3, p. 2
The Emancipation of the Higher Harmonic
Siegel, Jules. Volume 6, Number 2, p.1
Emu Proteus for Just Intonation
Siegel, Jules. Volume 6, Number 2, p.14
The Enhanced Piano
Rush, Loren, Janice Mattox, and Alfred Owens. Volume 8, Number 2, p. 16
Ensoniq EPS: A New Toy in Town
Rich, Robert. Volume 4, Number 3, p.2
Ervin Wilson's Hexany
Grady, Kraig. Volume 7, Number 1, p.8
A European Perspective on Partch
Gilmore, Bob. Volume 2, Number 1, p.4
An Example of the 48:49 Sixth-tone Step
Hill, Ralph David. Volume 4, Number 4, p.14
Features of Tunable MIDI Synthesizers
Rich, Robert. Volume 8, Number 1, p. 11
A Few Observations with Respect to the Canon's Tuning for Soliloquy
Arnautoff, Phillip. Volume 12, Number 1, p. 1
Fibonacci Gamelan Rhythms
Canright, David. Volume 6, Number 4, p.4
"Five": A Tuning Exercise
Mohr, W.David. Volume 6, Number 3, p.10
Four Tunings for Sound Environments
Wolf, Daniel. Volume 6, Number 3, p.12
Fret Choices for Just Intonation Guitars (or Fretting About Fretting)
Canright, David. Volume 10, Number 3, p. 18
From the Editor—A Response to Julia Werntz
Doty, David B. Volume 11, Number 2, p. 2
From the Editor—Bay Area Performance Series to Mark Network's Twentieth Anniversary
Doty, David B. Volume 11, Number 4, p. 2
From the Editor—Harry Partch and the Just Intonation Network
Doty, David B. Volume 8, Number 4, p. 2
From the Editor—The Last 1/1? It's Up to You!
Doty, David B. Volume 12, Number 2, p. 2
From the Editor—Microfest 2001 and Other Matters
Doty, David B. Volume 10, Number 4, p. 2
From the Editor—State of the Network, January 1994
Doty, David B. Volume 8, Number 2, p. 2
From the Editor—Twentieth Anniversary Concert Series Calendar
Doty, David B. Volume 12, Number 1, p. 2
Glen Branca and the Harmonic Series
Anderson, Carola B. Volume 1, Number 1, p. 4
Glimpses of a Musical Future in Ben Johnston’s Fourth Quartet
Gann, Kyle. Volume 12, Number 3, p. 23
Guest Editorial
Polansky, Larry. Volume 1, Number 2, p.2
Harmonic-Melodic Diagrams
Canright, David. Volume 4, Number 2, p.1
Harmonic and Subharmonic Versions of Kathleen Schlesinger's Harmoniai
Chalmers, John H., Jr. Volume 7, Number 3, p.4
Harmonic Resources of Extended Just Intonation
Fonville, John. Volume 7, Number 2, p.1
Harmonic Scales for Guitar
Rich, Robert. Volume 3, Number 1, p.13
Harry Partch in the Secret History of the West Coast
Schwartz, Stephen. Volume 8, Number 4, p. 22
Heavenly Harmony
Maxwell, Miles. Volume 2, Number 3, p.1
A History of the Just Guitar
Schneider, John. Volume 7, Number 3, p.11
The HMSL Intonation Environment
Polansky, Larry. Volume 3, Number 1. p.4
Horton Hears a Whole Number Ratio
Horton, Jim. Volume 2, Number 2, p.1
Improvising with Tunings: Themes and Improvisations for Woodstock Gamelan
Ayers, Lydia. Volume 10, Number 2, p.1
In Search of Twenty-Two Shrutis
Mitra, Amit. Volume 12, Number 2, p. 3
In the Beginning: Etude I (Trombones) (score)
Rosenboom, David. Volume 1, Number 3, p.8
The Intelligent Keyboard
Waage, Harold M. Volume 1, Number 4, p.1
An Interesting Group of Combination-Product Sets Produces Some Very Nice Dissonances
Burt, Warren. Volume 9, Number 1, p.1
It was in the Summer that I first noticed your hair, your face, your eyelids (score)
Wold, Erling. Volume 6, Number 4, p.1
JOT-17: A Just Thirdtone System for Neomedieval Music
Schulter, Margo. Volume 11, Number 3, p.10
The Journey of Light and Darkness in Toby Twining's Chrysalid Requiem
Alves, Bill. Volume 11, Number 3, p.1
Just How Radical was Harry Partch?: A Consideration of "The Long-Departed Lover" in the Light of Traditional Techniques of Songwriting
Green, Edward. Volume 12, Number 2, p. 16
Just Intonation and Mere Intonation
Johnston, Ben. Volume 8, Number 4, p. 18
Just Intonation and Music for Theatre
Monteith, Alison. Volume 11, Number 4, p. 1
Just Intonation and the Frequencies of DNA: the Music of Susan Alexjander
Jensen, Marc. Volume 11, Number 4, p. 9
A Just Intonation Calculator
Rich, Robert. Volume 4, Number 4, p.4
Just Intonation in the Kirana Vocal Tradition
Clark, Carrie Starr. Volume 5, Number 3, p.1
Just Intonation Network News; (Remembering Prandit Pran Nath)
Starr, Carrie. Volume 9, Number 3, p. 16
The Just Intonation System of Nicola Vicentino
Alves, William. Volume 5, Number 2, p.8
Just Inton(ot)ation
Rapoport, Paul. Volume 7, Number 1, p.1
A Justly-Tuned Guitar
Canright, David. Volume 2, Number 2, p.8
A Justly-Tuned Harpsichord
Henry, Norman. Volume 1, Number 4, p.7
A Keyboard Game of "Expansion-Contraction"
Waage, Harold. Volume 9, Number 3, p. 4
Key Characteristics and Pitch Sets in Composing with Just Intonation
Alves, Bill. Volume 6, Number 3, p.1
(K)no(w) More Notation
Rapoport, Paul. Volume 9, Number 2. p.4
The La Monte Young Interview
Doty, David B. Part 1: Volume 5, Number 4, p.1
——Part Two: Volume 6, Number 1, p.8
Liberation for the Scale Bound Consonance
Waage, Harold. Volume 7, Number 3, p.1
Lou Harrison: May 14, 1917–February 2, 2003 (remembrance)
Doty, David B. Volume 11, Number 2, p. 20
The Lou Harrison Interview
Doty, David B. Volume 3, Number 2, p.1
Mapping Tonality
Sohl, Norman. Volume 2, Number 4, p.1
Means to Music
Terpstra, Siemen. Volume 4, Number 1, p.11
Meaty MIDI Meeting
Doty, David B. Volume 4, Number 4, p.15
Microfest
Chalmers, John H. Jr. Volume 4, Number 3, p.12
Microfest 2001 Keynote Address
Harrison, Lou. Volume 10, Number 4, p. 1
Microfest 2006 Keynote Speech
Johnston, Ben. Volume 12, Number 3, p. 1
Microtonal Resources of the Seven Limit
Doty, David B. Volume 6, Number 1, p.1
Microtones in "Bodhisattvas in Berkeley"
Doty, David B. Volume 10, Number 4, p.13
The MIDI Tuning Dump Standard (version 0.03)
Scholz, Carter. Volume 5, Number 3, p.8
More Notes on Notation
Terpstra, Siemen. Volume 8, Number 3, p. 1
Music of Love and Beyond
Wold, Erling. Volume 4, Number 4, p.1
Musiques Harmoniques
Dudon, Jacque. Volume 5, Number 3, p.10
Network Tape Released!
Volume 2, Number 3, p.2
A Note on John Curwen, His Tonic Sol-Fa System, and Just Intonation
Leedy, Douglas. Volume 11, Number 2, p. 4
Notes and Commas (letter)
Duncan, Otis Dudley. Volume 3, Number 3, p.2
Notes from a Semi-incompetent Performer on the Surrogate Kithara (1953)
Ludlow, Lynn. Volume 8, Number 4, p. 21
Notes on "Piano Study No.5 for JPR"
Polansky, Larry. Volume 1, Number 4, p.14
Notes on The Well-Tuned Piano
Young, La Monte. Volume 3, Number 3, p. 1
Notes on Will You Miss Me
Polansky, Larry. Volume 12, Number 3, p. 27
The Octave Law and Natural Resonances
Terpstra, Siemen. Volume 2, Number 2, p.4
On Extended Just Intonation
Johnston, Ben. Volume 7, Number 1, p.6
On False Reification and Tuning Theory
Doty, David B. Volume 11, Number 1, p. 2
On Newband and the Partch Instruments
Drummond, Dean. Volume 8, Number 4, p. 14
On Piano Retuning
Canright, David. Volume 1, Number 4, p.10
An Open Letter
Henry, Norman. Volume 2, Number 1, p.2
Over and Under: The 13 Limit
Catler, Jon. Volume 3, Number 3, p.4
Partch's Scale on the Bosanquet Generalized Keyboard (chart)
Wilson, Erv. Volume 1, Number 4, p.2
Pentatonics I Have Known
Canright, David. Volume 1, Number 2, p.1
Performance Review: Concert in Celebration of the Chrysalis New Music Studio—Instruments and Music by Cris Forster
Canright, David. Volume 11, Number 4, p. 19
The Persistence of Just Intonation in Western Musical Practice
Leedy, Douglas. Part One, Volume 11, Number 4, p. 12
——Part Two, Volume 12, Number 1, p. 4
Pitch, Pi... Revisited
Doty, David B. Volume 5, Number 4, p.2
Pleng: Composing for a Justly Tuned Gender Barang
Alves, Bill. Volume 9, Number 4, p.1
A Program to Calculate Ratios
Scholz, Carter. Volume 4, Number 2, p.12
The Ptolemaic Antinomy
Duncan, Dudley. Volume 8, Number 1, p. 5
A Quick Excursion into Octave-Repeating Harmonic Series-Based Scales
Morrison, Gary Roy. Volume 1, Number 2, p.8
Rational/Irrational
Reinhard, Johnny. Volume 3, Number 3, p.6
Rational Notation
Canright, David. Volume 1, Number 1, p.8
Rational Structure in Music
Johnston, Ben. Part One, Volume 2, Number 3, p.12; Part Two, Volume 2, Number 4, p.12
Recollections of Harry Partch
Raskin, Jef. Volume 8, Number 4, p. 24
Record Review: Lou Harrison's Piano Concerto
Fischer, Andrew. Volume 5, Number 1, p.2
Record Reviews: New Releases: Riley and Hykes
Fischer, Andrew. Volume 2, Number 4, p.2
Record Review: Revelation in the Courthouse Park
Gilmore, Bob. Volume 6, Number 3, p.2
Record Review: Unesco Collection: A Musical Anthology of the Orient. INDIA III Dhrupad's Moinuddin & Aminuddin Dagar Vocal
Smith, Tim. Volume 4, Number 2, p.2
Remembering Harry
Puliot, Stephen.Volume 8, Number 4, p. 23
Report: American Festival of Microtonal Music
Wold, Erling. Volume 7, Number 1, p.2
A Response to Harold Waage
Doty, David B. Volume 7, Number 4, p.2
A Response to Siemen Terpstra's "Notation"
Doty, David B. Volume 8, Number 3, p. 18
The Romantic Symmetry in Prime Time
Young, La Monte. Volume 5, Number 4, p.6
A Salute to Ben Johnston
Stahnke, Manfred. Volume 12, Number 3, p. 25
A Scaleless Sequencer
Frantz, Glenn. Volume 6, Number 3, p. 4
Schoenberg's Conception of Tonality
Reinhard, Johnny. Volume 5, Number 3, p.4
Septimal Harmony for the Blues
Duncan, Dudley. Volume 5, Number 2, p.4
Seven-limit Slendro Mutations
Dudon, Jacques. Volume 8, Number 2, p. 1
A 72-tone Just Computer System
Sims, Ezra. Volume 5, Number 1, p.1
A Short History of Just Intonation Tuning Culture
Terpstra, Siemen. (Part 1) Volume 10, Number 1, p.1
——(Part 2) Volume 10, Number 2, p.9
A Simplified Tuning Procedure for Strings
Terpstra, Siemen. Volume 4, Number 3, p.6
Software Review: World Music Menu
Curtin, Steve. Volume 9, Number 4, p.2
The Subharmonic Question
Doty, David B. Volume 2, Number 1, p.1
Study in Whole Tones in Two Parts
Hill, Ralph David. Volume 5, Number 2, p.6
Styles of Consonance/Dissonance Control in the Music of Ben Johnston
Silverman, Adam B. Volume 9, Number 3, p. 5
Superparticular Pentatonics
Canright, David. Volume 9, Number 1, p.10
The Theories of Adriaan Fokker
Rasch, Rudolf. Part One: Volume 4, Number 1, p.4;
——Part Two: Volume 4, Number 2, p.6
Third Coast New Music Project
Chalmers, John H. Jr. Volume 4, Number 3, p.15
A Tour Up the Harmonic Series
Canright, David. Volume 3, Number 3, p.8
Totally Dynamic Tuning Using MIDI Pitchbend
Siegel, Jules. Volume 8, Number 2, p. 11
Toward Standard Definitions
Doty, David B. Volume 2, Number 2, p.2
Transcriptions/Translations of the Music of Harry Partch
Adam B. Silverman. Volume 9, Number 3, p. 14
Tritriadic Transformations
Chalmers, John H. Jr. Volume 3, Number 1, p.1
The Trouble with Didymus
Anderson, Carola B. Volume 1, Number 3, p.1
Tuning and the Ensoniq EPS
Scholz, Carter. Volume 5, Number 4, p.4
Tuning and Transposition on the Prophet Five
Rich, Robert. Volume 1, Number 4, p.4
Tuning the Ensoniq Mirage
Lord, Richard H. Volume 3, Number 4, p.1
Tuning the Macintosh
Jones, Robert W. Volume 2, Number 1, p.6
Tutorial: Part One
Doty, David B. Volume 1, Number 2, p.6
Tutorial: Part Two
Doty, David B. Volume 1, Number 3, p.2
Tutorial: Part Three
Doty, David B. Volume 2, Number 2, p.6
Tutorial: Part Four (The Nine-Tone Diatonic Scale)
Doty, David B. Volume 3, Number 1, p.2
II–V–I (score)
Polansky, Larry. Volume 10, Number 2, p.19
Two Special Keyboard Projects
Rayna, David. Volume 2, Number 3, p.4
Two Theories of Melodic Intonation
Doty, David B. Volume 7, Number 4, p.1
Ugolino's "Intelligent Organist" and the Seventeen Note Octave (Part I: the Medieval Background
Schulter, Margo. Volume 10, Number 3, p. 1
Ugolino's "Intelligent Organist" and the Seventeen Note Octave (Part II: Ugolino and the Early Fifteenth Century
Schulter, Margo. Volume 11, Number 1, p. 8
Video Review: Enclosure One: Four Historic Art Films by Madeline Tourtelot with Music by Harry Partch
Ayers, Lydia. Volume 9, Number 4, p.12
The Wayward: Harry Partch at UCSD
Chalmers, John H. Jr. Volume 8, Number 4, p. 20
A Whole New Serving of Tapioca: Exploring Just Intonation Dissonance
Gann, Kyle. Volume 11, Number 1, p. 1
Why Superparticular?
Duncan, Dudley. Volume 8, Number 1, p. 1